Description:

João Artur DA SILVA (1928)
"Contacto Acidental"
Óleo sobre tela colada em platex
Assinado e datado 1950
Dim. aprox.: 32 x 41 cm.; Dim. total. aprox: 51 x 58 cm.

Restauros pela FESS e pequenos defeitos.

Esta obra esteve presente na 2ª Exposição de Surrealista Portugueses em 1950.

  • Provenance: Colecção Dr. Manuel Fortuna Martins
  • Literature: João Artur Cordeiro Da Silva was born October 5, 1928, in Cascais, Portugal to Alfredo Lopes Da Silva, a businessman, and Georgina Cordeiro, the first female sculptor in the Lisbon Arts Academy.[1] At age 18, instead of joining his father's business, João Artur began drawing and painting. In the late 1940's, after participating in a number of collective art shows in Lisbon, he was introduced to Mario Cesariny, Cruzeiro Seixas and Antonio Maria Lisboa of the Lisbon Surrealist Group (Os Surrealistas)[2] by Mario-Henrique Leiria. Because of these connections, João Artur’s work was shown at the 1st Surrealist Exhibition in Lisbon in 1949.[3] He continued to exhibit with the Lisbon Surrealist Group through 1953. Many of the artists in this group were openly critical of the Salazar regime and João Artur’s affiliation with them made it difficult for him to obtain a passport until 1958. When he was finally able to leave the country, João Artur took up residency southwest of Manchester in a Wilmslow estate. There, he spent two years working towards a solo exhibition of his sculptures and paintings at the Woodstock Gallery in London.[4] In England, João Artur continued to exhibit at London’s Piccadilly Gallery, while pursuing new artistic mediums such as textiles. Some of his designs, which had been commissioned by Hull Stafford Ltd, were shown at the London Design Centre’s “Best Designs of 1960” exhibition.[5] That same year, several of João Artur’s paintings and sculptures were shown as part of the renowned Art Alive! Exhibition,[6] At this time João Artur befriended Errol Jackson the husband of his co-exhibitor,[7] artist Jeanette Jackson. Errol Jackson, the official photographer of sculptor Henry Moore's work, taught João Artur to photograph his own art, a practice he continues. In 1978, after several years living and exhibiting abroad, João Artur moved back to Portugal. In 1981 he held his first ‘Open Studio’ in Lisbon where he mounted a retrospective of his work from the past 23 years.[8] In 2009 his sculpture “O Prisioneiro”,[9] which is one of two of his works in the permanent collection of the Gulbenkian, was shown in both the UK and Portugal as part of a collaboration between the Tate Gallery, St. Ives and the Centro de Arte Moderna of the Gulbenkian Foundation. Da Silva moved to British Columbia, Canada in 1991 and became a Canadian Citizen in 2012. Fonte: wikipedia
  • Medium: Óleo sobre tela
  • Notes: ENG
    João Artur DA SILVA (1928) "Accidental Contact" Oil on canvas laid on platex Signed and dated 1950 Approx. dimensions: 32 x 41 cm; Total approx. dimensions: 51 x 58 cm. Restoration by FESS and minor defects. This work was present at the 2nd Exhibition of Portuguese Surrealists in 1950.

    FR
    João Artur DA SILVA (1928) "Contact Accidentel" Huile sur toile marouflée sur platex Signé et daté 1950 Dimensions approximatives : 32 x 41 cm ; Dimensions totales approximatives : 51 x 58 cm. Restauration par FESS et défauts mineurs. Cette œuvre a été présentée à la 2e Exposition des Surréalistes Portugais en 1950.

    CN
    若昂·阿图尔·达·席尔瓦(1928年) 《偶然的接触》 油画布裱于板上 签名并标注1950年 画芯尺寸约:32 x 41 厘米;总尺寸约:51 x 58 厘米。 经FESS修复,有轻微瑕疵。 此作品曾于1950年参加第二届葡萄牙超现实主义者展览。

    Translated by AI"

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