Description:

João Artur da SILVA (1928)
Paisagem com arvores
Óleo sobre platex
Não assinado
Dim. aprox. mancha: 29 x 24 cm.; Dim. aprox. total: 43,5 x 38 cm.

Atribuição dada por familiares do autor. Emoldurado.

  • Literature: João Artur Cordeiro Da Silva was born October 5, 1928, in Cascais, Portugal to Alfredo Lopes Da Silva, a businessman, and Georgina Cordeiro, the first female sculptor in the Lisbon Arts Academy.[1] At age 18, instead of joining his father's business, João Artur began drawing and painting. In the late 1940's, after participating in a number of collective art shows in Lisbon, he was introduced to Mario Cesariny, Cruzeiro Seixas and Antonio Maria Lisboa of the Lisbon Surrealist Group (Os Surrealistas)[2] by Mario-Henrique Leiria. Because of these connections, João Artur’s work was shown at the 1st Surrealist Exhibition in Lisbon in 1949.[3] He continued to exhibit with the Lisbon Surrealist Group through 1953. Many of the artists in this group were openly critical of the Salazar regime and João Artur’s affiliation with them made it difficult for him to obtain a passport until 1958. When he was finally able to leave the country, João Artur took up residency southwest of Manchester in a Wilmslow estate. There, he spent two years working towards a solo exhibition of his sculptures and paintings at the Woodstock Gallery in London.[4] In England, João Artur continued to exhibit at London’s Piccadilly Gallery, while pursuing new artistic mediums such as textiles. Some of his designs, which had been commissioned by Hull Stafford Ltd, were shown at the London Design Centre’s “Best Designs of 1960” exhibition.[5] That same year, several of João Artur’s paintings and sculptures were shown as part of the renowned Art Alive! Exhibition,[6] At this time João Artur befriended Errol Jackson the husband of his co-exhibitor,[7] artist Jeanette Jackson. Errol Jackson, the official photographer of sculptor Henry Moore's work, taught João Artur to photograph his own art, a practice he continues. In 1978, after several years living and exhibiting abroad, João Artur moved back to Portugal. In 1981 he held his first ‘Open Studio’ in Lisbon where he mounted a retrospective of his work from the past 23 years.[8] In 2009 his sculpture “O Prisioneiro”,[9] which is one of two of his works in the permanent collection of the Gulbenkian, was shown in both the UK and Portugal as part of a collaboration between the Tate Gallery, St. Ives and the Centro de Arte Moderna of the Gulbenkian Foundation. Da Silva moved to British Columbia, Canada in 1991 and became a Canadian Citizen in 2012. Fonte: wikipedia
  • Medium: Óleo sobre platex
  • Notes: João Artur da SILVA (1928)
    Landscape with trees
    Oil on platex
    Not signed
    Approx. dimensions of the image: 29 x 24 cm.; Approx. overall dimensions: 43.5 x 38 cm.

    Attribution given by the author's family. Framed.

    João Artur da SILVA (1928)
    Paysage avec des arbres
    Huile sur platex
    Non signé
    Dim. approx. tache: 29 x 24 cm; Dim. approx. totale: 43,5 x 38 cm.

    Attribution donnée par des membres de la famille de l'auteur. Encadré.

    João Artur da SILVA(1928)
    带树的风景
    油画
    未签名
    图案尺寸约为:29 x 24 cm;总尺寸约为:43.5 x 38 cm。

    由作者的家人给予的归属。已装裱。

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