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Palácio do Correio Velho - Leilões e Antiguidades, SA

Lot 224

JÚLIO RESENDE, Óleo sobre tela, 164 x 170 cm.

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JÚLIO RESENDE, Óleo sobre tela, 164 x 170 cm.


Description: JÚLIO RESENDE (1917-2011)
"Figuras de Viana do Alentejo"
Óleo sobre tela
Assinado e datado de 1951
Dim. aprox.: 164 x 170 cm.

Restaurado e reentelado. Verso com etiquetas de participação das seguintes exposições: Exposição Retrospectiva de Júlio Resende, Museu Nacional de Soares dos Reis - Centro de Arte Contemporânea; Exposição da Arte e da Vida Portuguesa, Comemorações do IV Centenário do Falecimento de S. Francisco Xavier, Goa, 1952; e Exposição Resende, Matosinhos, 2001 (não ilustrado).
Esta obra vem ilustrada in: Júlio Resende - A Arte como / vida", Civilização, 1989, pág. 50. Referência no catálogo a esta pintura (autoria de Júlio Resende): "No regresso de Paris, o isolamento na planície sem fim. Período de reformulação dos dados possíveis. A partir de quê?... Pergunta sem resposta. Diante de mim o homem e um horizonte interminável. Procuro libertar-me de tudo o que terá sido a recente experiência de Paris e decido-me por uma disciplina que me é acenada pela natureza geo-humana do Alentejo. A multidimensionalidade da linha recta torna-se uma espécie de obsessão. // O largo da vila, os homens e os animais submetem-se solidariamente a uma transmutação. A realidade "outra" ... Esta era a da disciplina discursiva que se me impunha e à qual me submeti por dois anos, procurando reprimir toda a atitude institiva."

  • Provenance: Colecção Professor Doutor António Ferraz Júnior e Dr. José Manuel Ferraz
  • Literature: Frequentou a Escola de Belas-Artes do Porto, obtendo de seguida uma bolsa do Instituto de Alta Cultura. Das inúmeras exposições individuais, salientam-se, três exposições antológicas na Fundação Calouste Gulbenkian (1989), no Museu Nacional do Rio de Janeiro (1990), e no Leal Senado em Macau. Foi galardoado com: o Prémio Nacional da Academia de Belas-Artes; o Prémio de Artes Gráficas na Xª Bienal de Arte de S. Paulo; a medalha de Prata na Exposição Internacional de Bruxelas. Está representado no Museu Nacional Soares dos Reis; no Museu do Chiado; no Museu Calouste Gulbenkian; no Museu de Arte Moderna de S. Paulo; e na sede da UNESCO, em Paris. Foi membro da Academia Nacional de Belas-Artes Portuguesa e da Real Academia das Ciências, das Letras e das Belas-Artes belga. Recebeu o Grau da Ordem Militar de Santiago de Portugal e da Ordem de Mérito Civil do Rei de Espanha.

    He attended the School of Fine Arts of Porto, subsequently obtaining a scholarship from the Instituto de Alta Cultura. Of the countless individual exhibitions, three anthological exhibitions stand out at the Calouste Gulbenkian Foundation (1989), at the National Museum of Rio de Janeiro (1990), and at the Leal Senado in Macau. He was awarded: the National Prize of the Academy of Fine Arts; the Graphic Arts Award at the Xª São Paulo Art Biennial; the Silver medal at the International Exhibition in Brussels. He is represented at the Soares dos Reis National Museum; at the Chiado Museum; at the Calouste Gulbenkian Museum; at the Museum of Modern Art of S. Paulo; and at UNESCO headquarters in Paris. He was a member of the Portuguese National Academy of Fine Arts and the Royal Academy of Sciences, Letters and Belgian Fine Arts.
  • Condition: JÚLIO RESENDE (1917-2011)
    "Figures from Viana do Alentejo"
    Oil on canvas
    Signed and dated 1951
    Dim. approx .: 164 x 170 cm.

    Restored and re-entellated. Verse with participation tags for the following exhibitions: Retrospective Exhibition by Júlio Resende, Soares dos Reis National Museum - Contemporary Art Center; Exhibition of Portuguese Art and Life, Commemorations of the IV Centenary of the Death of S. Francisco Xavier, Goa, 1952; and Resende Exhibition, Matosinhos, 2001 (not illustrated).
    This work is illustrated in: Júlio Resende - Art as / life ", Civilização, 1989, p. 50. Reference in the catalog to this painting (authored by Júlio Resende ): "On the return from Paris, isolation on the endless plain. Period of reformulation of possible data. From what? ... Question without answer. Before me, man and an endless horizon. I try to free myself from all that was the recent experience of Paris and I decide for a discipline that is beckoned by the geo-human nature of the Alentejo. The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. " The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. " The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. "

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